《神奇人造》個展 The Mystery Manufacturer Solo Exhibition by 神奇人造 The Mystery Manufacturer

《神奇人造》個展 The Mystery Manufacturer Solo Exhibition

by 神奇人造 The Mystery Manufacturer

日期｜Exhibition Dates

2026.10.28（Wed）~ 11.02(Mon） 14:00-17:00

開幕 Opening 2026.10.29 (Thu) 14:00

▓▒░ 展覽簡介 Exhibition ░▒▓

有些事物可以透過科學被理解、測量與解釋，有些現象則仍然未知、不可控制，甚至難以被命名。讓我感到神奇的，也包括那些已被理解的事物。花的生長、粒子的運動、昆蟲的身體結構，以及地球與行星的運行，都可能因觀看尺度的改變，再次顯露出令人驚異的細節。「神奇人造」從這樣的觀看經驗出發。

我從自然、科學、生命與宇宙中取材，並將其拆解，重新組成圖像、角色、模型般的物件與出版物。支架、台座和排列方式，使這些形體帶有產品、標本或研究物件的樣貌。不同尺度的事物被放在同一個構圖裡，各自的結構與差異也因而變得清楚。自然與人工、生命與機械，可以在作品中相互連接。

神奇人造口號中的「製造神奇」，並不是創造一個完全不存在的世界，而是把原本已經存在於世界中的事物重新觀看、分類與組裝，使那些因為太熟悉而逐漸失去感知的東西，再次變得陌生。從熟悉的形體出發，改變它們的比例、位置與用途，讓原本容易被忽略的事物重新引起注意。並製造那些一直存在於世界裡的神奇。

圓球、方塊、線條、鐵絲、支架、台座與對稱結構，反覆出現在我的作品中。透過比例的調整、形體的變化與重新組合。不同作品共享一些構成方式，卻各有姿態與情緒。我希望在持續製作的過程中，形成屬於自己的美感，使觀者能辨認它們來自同一個世界。這種重新製造的過程，持續探索形體如何組織感受，並宣傳我是如何觀看和呈現這個世界。

主要創作媒介是 Adobe Illustrator。幾何、路徑、節點、複製與排列，直接參與圖像的形成。許多作品從基本的圓形、方形和線條開始，在操作與試錯中逐漸確定造型。比例的微小改變會影響角色的姿態，支撐線的位置會改變重量感，看似大量重複的模組，往往需要逐一安排。這種方法與神奇人造本身的概念互相對應。作品所描繪的是一個被重新組裝與製造的世界，而作品本身，也是在一套服務平面設計、製圖與商業生產的工具中被製造出來。利用設計工具的精準性與可調整性，構成了我的創作方法，也留下清楚的人工組裝痕跡。

Some phenomena can be understood, measured, and explained through science, while others remain unknown, uncontrollable, or even nameless. Yet, I find equal wonder in what we already comprehend. The growth of a flower, the movement of particles, the structure of an insect, or the orbits of planets—when viewed at different scales, each reveals astonishing new details. THE MYSTERY MANUFACTURER begins with this act of observation.

Drawing from nature, science, life, and the cosmos, I take apart and reassemble forms found in the world, turning them into images, characters, model-like objects, and publications. Through armatures, pedestals, and different arrangements, these forms take on the appearance of commercial products, scientific specimens, or research artifacts. By placing elements of vastly different scales within a single composition, their structures and subtle differences become more distinct. Within this framework, nature and the artificial, the living and the mechanical, come together within the work.

The idea behind “Manufacturing Mystery” is not to create a world out of nothing. Rather, it means re-examining, reclassifying, and reassembling what already exists in our world—making the overly familiar feel strange once more. By altering the proportions, placements, and functions of recognizable forms, the project draws attention back to what is easily overlooked, revealing the mystery that has been present all along.

Spheres, blocks, lines, wires, supports, pedestals, and symmetrical structures recur throughout my work. Through adjustments in scale, changes in form, and new combinations, different works share a common visual language while maintaining their own distinct forms and moods. Through this continuous process, I hope to develop my own aesthetic identity, allowing viewers to recognize these creations as belonging to the same universe. This process of reassembling and remaking familiar forms allows me to explore how physical forms can express emotion and communicate how I see and present the world.

My primary creative medium is Adobe Illustrator. Geometry, paths, anchor points, duplication, and arrangement are all part of how each image takes shape. Many pieces begin with basic circles, squares, and lines, finding their final forms through a process of trial and error. A slight shift in proportion alters a character’s posture; the placement of a supporting line changes its sense of weight. Even elements that appear to be repeated in large numbers often need to be arranged one by one. This process directly reflects the concept of THE MYSTERY MANUFACTURER. The works depict a world that has been reassembled and manufactured, while the works themselves are created using tools designed for graphic design, drafting, and commercial production. The precision and flexibility of these design tools shape my creative process, leaving visible traces of how each piece was assembled.

▓▒░ 藝術家簡介 Artist ░▒▓

神奇人造

1997年生，畢業於華梵大學美術學系。

過去主要從事廣告及影像美術工作，參與廣告、MV等影像製作。今年3月開始專心投入個人藝術創作。

目前我以「神奇人造 The Mystery Manufacturer」為主要創作計畫，試著建立一套屬於自己的美感與視覺語言。我以圓球、方塊及鐵絲作為基本元素，透過不斷組合、變化與延伸，創造出各種角色、物件及想像中的世界。

對我來說，「神奇」不一定是無法解釋的事情，而是日常生活中那些看似平凡，卻值得重新觀看的事物。我把創作當成一場持續進行的練習，透過觀察、學習與反覆嘗試，慢慢累積出屬於自己的美感。目前作品涵蓋藝術家書籍、平面印刷、雕塑及立體物件，也持續擴展著「神奇人造」的世界。

I was born in 1997 and graduated from the Department of Fine Arts at Huafan University.

I previously worked in art direction for commercials, music videos, and other visual productions. In March of this year, I began focusing full-time on my own artistic practice.

My ongoing project, The Mystery Manufacturer, is a way for me to develop my own visual language and sense of aesthetics. I use spheres, cubes, and wire structures as basic elements, combining and rearranging simple shapes to create characters, objects, and imaginary worlds.

To me, “mystery” isn’t necessarily something that can’t be explained. It can also be found in ordinary things that deserve a second look. I see my creative practice as an ongoing process of observing, learning, and experimenting. Through this process, I continue to develop my own visual style.

My work takes different forms, including artist books, prints, sculptures, and objects, all becoming part of the growing world of The Mystery Manufacturer.

▓▒░ 展場資訊 Venue Info ░▒▓

地點｜Beholding Cell Art Space 看守所藝術空間

地址｜台北市大安區復興南路一段321號1樓A9室（永固名店城內）

交通｜捷運大安站6號出口旁

Venue | Beholding Cell Art Space

Address | Rm. A9, 1F., No. 321, Sec. 1, Fuxing S. Rd., Da’an Dist., Taipei City

Access | Next to Exit 6, MRT Daan Station